The scale is defined with the intervals of 1-2-3-#4-#5-♭7, but I prefer 1-2-3-♭5-#5-♭7. Big list of common triads and four note chords of the scale C Whole Tone #'S As a result of those chords equalling each other, there are 2 repeated shapes for 9♭5 guitar chord shapes that are shown above for the 9#5 shapes. This is a very particular scale, find more about it with reading the whole-tone scale tutorial. Unless you really want to get weird and just want to add some really bizarre stuff to impress your friends that are into Jazz, Fussion and contemporary classic music. I suggest that the major ♭5 chord is the base of 7♭5 chords. Most jazz guys know you can build a 7♭5 & 9♭5 chord from the WT scale. Or try an arpeggio of an E7#5 chord sliding from the ♭7 to the root at the end of the riff. The scale formula is W-W-W-W-W where “W” stands for whole tone. 5 and 6 Note Chords: C#9b5 C#9#5 D#9b5 D#9#5 F9b5 F9#5 G9b5 G9#5 A9b5 A9#5 B9b5 B9#5. “It’s your mind, it’s your creativity, it’s your guitar, and most importantly, it’s your music – do what you want to do (just make sure it sounds good)”. C whole tone scale = C-D-E-F#-G#-A#. 5 and 6 Note Chords: C9b5 C9#5 D9b5 D9#5 E9b5 E9#5 F#9b5 F#9#5 G#9b5 G#9#5 A#9b5 A#9#5 C9#5\E Scales Equivalent to C whole tone : D whole tone ; E whole tone ; F#/Gb whole tone ; G#/Ab whole tone ; A#/Bb whole tone ; A Whole Tone scale has no consonant chords, but it contains every Augmented chord formed by considering any note of the scale as the root. Notice the first half of the scale is diminished and the second half is whole-tone. It may not be something you like, but you won’t know until you give them a try. If we stack these scale degrees to create a chord, we get 1, 3, #5, b7, 9, #11. C9♭5 = D9#5. Whole-tone scale, in music, a scalar arrangement of pitches, each separated from the next by a whole-tone step (or whole step), in contradistinction to the chromatic scale (consisting entirely of half steps, also called semitones) and the various diatonic scales, such as the major and minor scales (which are different arrangements of whole and half steps). I used some of his licks and made some tweaks of my own. A Whole-Tone Scale is a scale made entirely of whole-steps and has only six notes. There are 2 base chords: the augmented triad and the chord that has a major 3rd and diminished fifth. Try arpeggiating an augmented triad on the last V7 chord in a blues turnaround. Here are the augmented chords that can be built on the note C from a C whole tone scale: D: D+, D7#5, D9#5 Some theorists have classified them as WTO (whole tone O) and WT1 (whole tone 1). It’s direct application would be on augmented chords, That is, any chord with a raised fifth degree. Start To learn more about scales, check our complete guide on How to play guitar #1) The scale adds tension but has no resolution. G Wholetone Chord = G7#5 (G B D# F) C Wholetone Chord = C7#5 (C E G# B♭) But the scale can be used over any V7 Chord. And since 9♭5♭13 chords are made up of 3 tritones, they resolve beautifully to 6 different keys by a half-step above each chord tone (or below each chord tone). I chose E for the augmented 7ths and 7♭5’s as a substitute for E7 chords for songs in the key of A major or A minor. The add#11 is a nice dissonant chord. All open chords for every chord type in every key. Domination. Every note in the whole tone scale can act as the tonic of the scale. The open E and E♭ 9♭5♭13 chords are the ONLY open chord shapes possible. Note that the 9#5 chord is equal to the 9♭5hord on the ♭7, e.g. maps of 44 different chord types. On this page, you find several fretboard diagrams for the Whole-Tone scale, with box and 3 notes per string patterns. incredibly helpful tutorial. Thus many composers have used one of the "almost whole-tone" hexachords, whose "individual structural differences can be seen to result only from a difference … So, the whole tone scale can be played over a dominant 7 th or 9 th chord with a sharp five and sharp eleven. Beatles: From Me To You The 9♭5 chord equals a 9#5 on the 9, e.g. For example, try an Eaug as x-7-6-5-5-x and let it ring out for the remainder of the measure. The Whole-Tone Scale scale is composed of the Root, Major Second, Major Third, Augmented Fourth, Augmented Fifth, and Minor Seventh, The C Whole-Tone Scale scale is composed of the notes C, D, E, F#, G#, and Bb. 7#5 = augmented 7th = 1–3–#5–♭7 #6) Try it over a V7 to IV7 change in a blues tune, and combine it with the Dorian mode & the blues scale. We use cookies to ensure that we give you the best experience on our website. Grateful Dead: Till the Morning Comes My favorite 7♭5 shapes are #1 & 3. The pattern for a whole-tone scale is easy to remember because it consists only of whole-steps (W): Chords created by this scale (C whole tone): C7#5, C7b5, C9, C9#5, C9b5, C7#5(#11). The scale is spelled out: 1/2 whole 1/2 whole whole whole whole (steps). Both augmented and major flat 5 chords (dominant 7 flat 5 chord or just 7♭5) can be built from the notes of the whole tone scale. The whole tone scale is a symmetrical scale which means the intervals that make up the scale have a pattern that repeats. scales, Chords It is not the most widely used scale in everyday popular music but you can get some nice chords and riffs from the scale. The Jamie Holroyd guitar website article on augmented chords normally resolve to both F and B I ’ seen... 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